Refugee Project Celebrates World Refugee Day at City Hall

On Saturday, July 9 volunteers from BuildaBridge led creative arts activities at Nationalities Service Center's World Refugee Day 2016 celebration. The event took place in the courtyard of Philadelphia Hall. The event was attended by many from the public as well as several familiar faces from our PPR and PRMHC classes.

Visual artist Arielle led an arts activity where visitors were encouraged to create "prayer flags." Prayer flags originate in Eastern cultures, and were originally used to promote compassion, wisdom, peace and strength (Wikipedia). It is believed that each one's message of goodwill will spread to the space around them. Each visitor was asked to use paint, glitter, glue, and sequins to create a flag representing "What does HOME look like to you?" Among the flags were images of hearts, smiles, and the word "love." We at Refugee Project think that the idea of home being "love" is an especially great example of how "home" can be wherever you make it if it starts inside of you!

Later in the day, BuildaBridge artists Liz, Amy and Arielle led a drum circle and invited visitors to come on stage and join in. Drum circles are an improvisational form of music-making used to bring communities together. Adults and children from all different backgrounds came together to make a harmonious beat. Some were even inspired to dance to the powerful music!

BuidaBridge would like to thank everyone at Nationalities Service Center and our creative volunteers for making this day a success. We hope to see everyone at this celebration again next year!

Spring Term Updates

As we move into May and warm weather finally arrives, both our PRMHC and PPR programs have been progressing. At Southeast by Southeast, Burmese Karen refugees have been using ceramics to explore ideas of support. The children created unique plates, cups, bowls and boxes using a variety of clay techniques. The items will be donated to newly-arrived refugee families in need to support them in their transition to Philadelphia.

Burmese Karen children paint designs in glaze onto clay plates they made

The Iraqi group in Northeast Philadelphia evolved to include Sudanese refugees as well. Parents and children in that group have been learning how to make colorful mosaics from broken pieces of ceramics. They are exploring the concept of identity, including their identities of their native countries as well as newly-formed identities in the United States.

The Iraqi/Sudanese group learned how to make mosaics using many different tools

At Nationalities Service Center, our Mixed Adult group is using music and art to explore themes of improvisation in art and in life. They are learning various musical beats and instruments as well as the technique of applique while exploring these themes. The Parents and Children’s group has been using visual art to explore the concepts of home and community, and has been working on a different project each week to work towards building a sense of community within the group.

Stay tuned as the Refugee Project gears up for our summer programming!

Art-Making builds Resilience

BuildaBridge features artists Hope Mead and Robert Kelleher in this video illustrating how art-making has made a difference this semester.  Groups this semester took place at the Philadelphia Refugee Mental Health Collaborative's (PRMHC) new storefront site in South Philadelphia, Southeast by Southeast.

Creating Trusting Relationships Through Art-Making

When the group of refugees and immigrants started arriving, we greeted them at the threshold with warm smiles.  I was unsure of what to expect my first time in a live session beyond the BuildaBridge training and team meetings we had prior to the beginning of the term.

Sunday February 8th marked the second meeting of the Philadelphia Partnership for Resilience (PPR) group of 2015. Our team consisted of Rebecca Asch, Francesca Montanile and myself.  We had arrived early to set up the room with art supplies.

Being that this is my first internship in a therapeutic arts setting,  I knew that we'd be creating art with participants, but how would that look, I wondered. What aspects of this PPR session would prove most useful in aiding people who had been displaced from their homes and experienced torture?  My questions were soon answered.

It was the second time this group had met.  It had grown, I was told.  Moore, a regular member of the group from the Middle East, dawned a large smile at the room full of people, ready to create, share and participate. His eagerness was matched by David, a West African man, who entered the room brimming with excitement--shaking my hand enthusiastically.  David and I had met at the first session. Both Moore and David then greeted each other which demonstrated an outcome for this group to create trusting relationships in a safe and supportive environment.

During the session Dee, a young newcomer from Haiti, reported that he could not draw a scene that represents his past, present and future. Rebecca, a teaching artist, then drew a stick figure on a piece of paper, shows it to him, and with encouragement says, "This is okay!"

David, the drummer, then engaged Dee to comfort his worries about his art-making skills.
Watching this, I couldn't help but think about the role of art-making in creating a sense of community.  PPR sessions bring together people in their time of need to provide art-making experiences which are then shared and discussed and provide reasons to bond and create new friendships with others who understand similar struggles and successes.  Moore was excited to see many other people in the group because this is what the group is about - connecting people who can be supportive of one another through art-making and dialogue.

- Emily Kimmelman, BuildaBridge Intern and Artist-on-Call

New faces, new beginnings

202 - The number of refugees, immigrants and aslyees who participated in BuildaBridge programming during 2014.  

112 - Adults
90 - Children
19 - Artists engaged

Over 75% of participants were new to BuildaBridge programming this year and came from over ten countries.  The art-making experiences in a community context allow participants to build bridges between their culture and those of others; communicate their stories; share experiences and challenges and most importantly, find the resiliency and hope for for a new beginning here in the U.S.

Check out highlights from 2014:

Bhutanese Elders Story Mural
Videos of refugees from the Democratic Republic of Congo
Refugee Employment and Advancement Program
Friendships form at Hopeful City exhibit
Burmese Chin and Karen children find unity
The Talking Turtle
Bridging the Cultural Divide through Art